A checklist of the story’s story elements is itself a measure: the regulated hereditary evolution of the human types via chosen breeding by the Bene Gesserit royal control of deep space with millenial adjustment of faith as well as the addicting medication, melange (created just on the financially essential world Arrakis or “Dune”) regulation of an entire planet’s environment by attention to its most minute parts the scary implications of cumulative genetic memory, causing mass property of an individual, as parallel to mass prayer of a messiah. The final book in Frank Herbert’s Dune trilogy is significant testimony to the inadequacy of the important pejorative “sci-fi.” “Speculative fiction” (or “SF”) is a far better term to describe the stylistic seriousness and thematic variety that positions Herbert directly in the rankings of the century’s essential thinkers as well as writers.
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